Anton Johnson Designs Ngeringa Cultural Centre in Adelaide Hills

06/28/2016

Anton Johnson Designs Ngeringa Cultural Centre in Adelaide Hills

Critically-acclaimed music venue that has featured on the big screen.

 
Ngeringa Cultural Centre

The brief from the matriarch of a cosmetics fortune was to create a world-class, yet intimate auditorium for the playing of chamber music in a natural setting. The result is a critically-acclaimed music venue that has been featured on the big screen and enjoyed by thousands of music lovers in its first year of operation.

The $7.5 million Ngeringa Cultural Centre opened in the Adelaide Hills region of South Australia in August 2015 and has quickly become a favourite venue among musicians and audiences alike. Designed by Adelaide-based architect Anton Johnson, the multi-purpose 220-seat concert hall has been modeled to have a spacious and enveloping sound while preserving the intimate scale and aesthetic character of the space.

 “Chamber music was always the central point of the brief and very closely allied to that was the rural location,” Johnson said. “Without a doubt every musician who’s played in that space has remarked on the acoustics mainly in terms of the fullness and the quality of the sound. Already it’s starting to establish itself as a premier chamber music venue for Australia.”

The building was featured in Scott Hicks’ latest offering Highly Strung, a feature-length documentary following the fortunes of the Australian String Quartet, which has performed at the venue several times including at the documentary’s finale.

But its story can be traced back to the 1980s when biochemist Dr. Jurgen Klein and his wife Ulrike, a horticulturalist, moved to South Australia to start cosmetics and a natural skincare company Jurlique in the Adelaide Hills. Klein left Australia in the early 2000s and Jurlique was gradually divested to overseas interests. Ulrike, who has always had a passion for chamber music, has turned her attention to philanthropy through the Klein Family Foundation and Ngeringa Arts, named after the casuarina trees that grow on the Adelaide Hills property where Jurlique flourished.

In 2012, after Ulrike sold her remaining stake in Jurlique, the Klein Family Foundation pledged $3 million toward a $6 million Ngeringa Arts project to acquire a unique set of instruments handcrafted by Giovanni Battista Guadagnini, one of history’s foremost luthiers, in Italy from 1743 – 1784. Three of the instruments have been secured through the Guadagnini Quartet Project and are on loan to the Adelaide-based Australian String Quartet, which also has use of a fourth Guadagnini. It is the world’s only matched quartet of Guadagnini’s.

Not content with providing the ASQ with instruments, Ngeringa Arts set about building a world-class venue for chamber music to be played in.

The centre’s commercial business model allows it to host functions such as weddings and conferences and also includes guest quarters for artist’s in residence. The raked seating is retractable, opening up a flat floor space to seat 150 dinner guests. Its intimacy is enhanced with the audience seated around the performance space on three sides. A 9m wide and 4.2m high glass wall faces the summit of Mount Barker and the twin peaks, with a foreground view of a newly designed garden.

Johnson said concerts are generally held at 3pm to maximize the view. “That orientation is directly east and certainly in the afternoon towards sunset the sun hits the mountain and it is particularly beautiful,” he said.

“It’s a very close integration and synergy between nature, the environment and music.

“The history of the farm itself and the whole basis of the Jurlique cosmetics was one of nature and organics and purity so that’s what’s come into the building as well.”

The property is also self-sufficient. A solar photovoltaic grid generates electricity and up to 250,000 liters of rainwater is collected and stored to run the centre. A further 250,000 liters is captured and stored for fire fighting purposes and all of the sewage is dealt with on site.

“I think most people would associate acoustics with trying to keep sound out of buildings but in this case we were actually dealing with a completely different concept where we are actually handling the sound within the space and modulating the reflections and the refraction of that sound in order to enhance its qualities,” Johnson said.

Ngeringa Arts General Manager Alison Beare said the auditorium’s acoustics had been recognised by commentators as the best chamber music space in Australia. “If you look at all of the detail on the walls every piece of wood in the space has been calculated to give the optimum acoustical performance,” she said.

“The carpenters who worked on this building realised they were involved in something really special. The acoustician would fly in from Brisbane to check the work and the absolute attention to detail and every finish was just extraordinary to watch.”

 

 
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