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08/29/2013

Hamer Hall Redevelopment by ARM Architecture

By Adam Moore
Photography by John Gollings

 
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    Angular light fixtures and bright carpeting in the St. Kilda Road foyer echo the struggle between Grounds’ raw architectural vision and Truscott’s plush interior design, while long expanses of glass and revamped lighting make the facility more inviting to the general public. View larger

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    The building’s new riverside entry better connects the Hall with the Yarra River and the city itself. View larger

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    Inside, the new elevator lobby and riverside box office showcase ARM’s interest in open-ended spatial systems created by carving and excavation—an appropriate complement for Hamer Hall’s raw materiality. View larger

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    Inside, the new elevator lobby and riverside box office showcase ARM’s interest in open-ended spatial systems created by carving and excavation—an appropriate complement for Hamer Hall’s raw materiality. View larger

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    Improved lighting and upgraded velvet seats appeal to patrons’ need for comfort, while the substitution of bronze for the existing timber paneling on the stage surround and grand reflector improves the acoustics and adds a touch of elegance to the design. View larger

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    Restoring the building’s physical and social connection to the city and river was an important part of the design team’s efforts. A new terrace located over the riverbank promenade includes a second entrance that allows access directly to the Hall’s circle foyer. View larger

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    The interiors, including the Baxter Room and the ground floor concourse (shown), have been designed to reflect Tuscott’s original aesthetic of plush textures and faux materials, while the main auditorium’s overhauled acoustics have revitalized the Hall’s reputation as a 21st-century performance venue. View larger

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    View larger

  • /Portals/3/images/magazine/2013/0913/I_0913_Web_AS_Hamer_12.jpg

    The interiors, including the Baxter Room (shown) and the ground floor concourse, have been designed to reflect Tuscott’s original aesthetic of plush textures and faux materials, while the main auditorium’s overhauled acoustics have revitalized the Hall’s reputation as a 21st-century performance venue. View larger

Redesigning a famed cultural institution is hard enough, but for Melbourne-based ARM Architecture, the task of modernizing the city’s iconic Hamer Hall Arts Centre came with the added challenge of unifying and preserving two conflicting aesthetics.

Designed by acclaimed architect Sir Roy Grounds, Hamer Hall originally stood as a concrete drum on the Yarra River, taking its inspiration from the pure shape and raw form of Rome’s Castel San Angelo. The interiors, designed by John Truscott, attempted to complement Grounds’ subterranean theme, but included plush materials like leather and gold leaf to appeal to trustees’ desires for a more refined space. The final result resembled more of a jeweled cave than Grounds’ vision of an earthen castle.

ARM’s update attempts to reconfigure these juxtaposed themes while adding amenities expected of modern public spaces. The interiors have been reworked to add new facilities, foyers and circulation, and a new terrace over the river more deeply connects the hall to its surroundings. At the building’s St. Kilda Road entrance, new glass walls allow in more light, while bright carpet and bronzed leather walls reference Truscott’s original palette. In the foyer, new stairs and escalators have been clad in bronze as a nod to the space’s raw and enduring mentality.

The design team also made numerous changes to the building’s auditorium, formerly considered by some visitors to be cavernous and dour. Although harder to spot by the casual observer, alterations to the walls, seats and lighting have improved the Hall’s acoustics and comfort. New stalactite lights, orange velvet seats and bronze panels surrounding the stage complement Grounds' and Truscott's original aesthetics, while also bringing the beloved institution firmly into the 21st century.

 

 

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