Ignoring
the call of urban shoppers for storefront windows and enticingly
clad mannequins decked in the latest fashions, Mitchell/Giurgola
Architects built Lafayette Place, a suburban mall in the heart
of downtown Boston, during the early 1980s.
From
the day it opened its doors until the mall’s closing
in 1992, the block-long shopping locale failed to bring in
both retailers and shoppers, and was never fully leased.
The
failure of Lafayette Place was largely attributed to its architecture,
a box design that even modernism’s adoring critics would
have shunned. The only solace of the flat façade was
an occasional window punched in the masonry. Its lifeless
color and design were an unwelcome and obtrusive addition
to the street once known as Paper Row. A time-traveler from
the early 1900s would have been shocked to see the awnings
and architecture signature of this era, replaced with the
cold minimal lines of the failed retail center.
A circular courtyard in the center of the building punctuates
the three-story, 360,000 square feet at Lafayette Place, like
a round hole in a square doughnut. When shoppers entered the
facility through the adjacent department store (now Macy’s),
they found themselves walking in a circle that led them back
to where they started. Originally, the mall had hoped to seduce
Bloomingdale’s to be its second anchor, but when these
plans went bust, Lafayette Place did not have a Plan B. Constructed
with only one entrance through the existing department store
to the north, the mall’s exterior walls – void of
the revolving doors, stairways, and signage that shoppers
had grown used to – seemed to be there more to keep people
out than invite them in.
Taking
a Risk
Local
developers knew all too well of the mall’s lack of success,
and were unwilling to take on the risk of failure. Scared
away by the stigma associated with the building, it took the
insight of an outsider to look beyond the past and see a promising
future. Amerimar Enterprises Inc., a Philadelphia-based real
estate developer, had previously invested in a nearby building,
600 Washington Street, and watched Lafayette Place struggle
from birth to death. Uninfluenced by the building’s cursed
history, the company sought financial backing from Angelo,
Gordon & Co. and rallied together in a joint venture with
Centrum Properties. The building had stood empty for five
years before it was added to the Amerimar portfolio in 1997.
“Originally,
we were looking at the property, and thinking ‘it’s
brick, it’s less than 20 years old, we should keep it,’
but, unfortunately, our perception was that it looked like
a prison from the outside,” says Gerald M. Marshall,
president and chief operating officer for Amerimar. Rightfully
attributing the building’s demise to the uninviting exterior
motivated the developer to undertake a massive modernization
of the existing structure.
Unsure of how to reposition the building, Amerimar initially
contemplated transforming Lafayette Place into an entertainment
complex. “As they started to develop that concept, people
in the city suggested to them that maybe they should think
about office use, because it’s such a good location with
public transportation access,” explains Larry Grossman,
principal of ADD Inc., the Cambridge, MA-based architectural
and engineering firm selected for the renovation. The suggestion
was considered – but not seriously – until two large
tenants came forward and expressed interest in leasing the
space, given that Amerimar would transform Lafayette Place
into Lafayette Corporate Center.
As
plans began to take shape in this new direction, the prospective
office tenants discovered that 300,000 square feet of space
would not be enough to fulfill their real estate requirements.
Adjusting plans, ADD Inc. determined that three additional
stories could be constructed on top of the existing building
to accommodate their needs. “The scope grew as they looked
at different opportunities and different uses of the building.
It went from a renovation of a three-story building, to being
a renovation of a three-story building with three levels being
added on as well,” says Scott Menard, project executive,
Suffolk Construction Co., Boston.
With
some storefront glass and entrances from the street, the Amerimar/ADD
Inc. team felt sure that a lower level offering of
retailers would bring in neighborhood shoppers. Plans were
rapidly taking shape. Lafayette Corporate Center, when completed,
would house 50,000 square feet of retail space along Washington
Street and provide 575,000 rentable square feet of office
space in the five stories above.
Design Challenges
The
project was not without its design challenges, however. According
to ADD Inc.’s senior associate principal, B.K. Boley,
“From a design point of view, we had to be very conscious
of not making this building seem bigger than it was –
which I think was the mistake that had been made with the
previous building. It was only a three-story building, [yet]
everyone seemed to think that it was already a five- or six-story
building – it just seemed larger. So our conscious design
attempts were to break down the scale and animate the street
level.”
Giving
depth to the previously flat façade would require massive
demolition, saving only the building’s raw steel members
and structural support beams. The newly designed skin was
destined to change the look of the building – and the
neighborhood. Layering materials on the Washington Street
façade energized the exterior and created the illusion
of depth, further diminishing the scale of the building and
making it appear more comprehensible to the eye.Construction
was a delicate process, by which every phase was planned around
the schedules, court dates, and (sometimes) working hours
of the building’s agencies.
“We
did a lot of work after everyone had left for the day –
especially demolition and anything that made a lot of noise.
We spent a lot of time planning and working other than normal
hours,” says Jim Robertson, vice president, Intersteel
Inc., Lexington, KY. Housing a district court, court of appeal,
bankruptcy court, Sen. Mitch McConnell’s office, 12 judges
chambers, the Social Security Administration, as well as 17
other federal agencies, the Gene Snyder U.S. Courthouse is
the central hub of the city’s local government, requiring
that extreme care be taken during construction so as not to
distract the critical work of building occupants.
Driving
around the courthouse is an eye-popping experience. The facility’s
exterior was greatly enhanced when parking areas were resurfaced
and resealed; the facility’s limestone was cleaned, tuck
pointed, and waterproofed; the copper roof was repaired; and
a new landscaping plan was executed. With its lavish exterior
architecture, no observer can argue that the courthouse has
great curb appeal. The jaw-dropping experience continues when
visitors and employees step into the regal entrance, and are
greeted with shiny brass, marble floors, and hand-painted
murals by Frank Weathers Long dating from the mid- to late-1930s.
Marrying
the best building technology from the 21st century with the
architectural and interior aesthetics and detail characteristic
of the 1930s has its challenges.
“We
maintained the traditional flavor of the building in as many
places as we could – at the same time providing the modern
upgrades for mechanical/electrical and finish systems,”
says senior architect, Stephen B. Cherry, Luckett & Farley
Inc., Louisville. Sprinkler systems were cleverly disguised
within soffits, while new suspended ceilings in other areas
hid fire protection systems and ductwork. Efforts to preserve
the building’s features were a key priority: All project
team members worked to modernize, add, and upgrade current
HVAC, fire, and life-safety systems in ways that were as non-obtrusive
as possible.
Practically
non-existent prior to the modernization, energy efficiency
increased greatly post-renovation, due to the installation
and upgrade of some of the following systems and products:
• The chillers and boiler.
• Emergency generators.
• Energy-efficient lighting.
• Energy-efficient air-handlers and variable speed controls.
• A VAV system.
• A building management system.
• Electronic-control flush valves.
• New cooling tower.
• Automatic recall on freight elevators.
The
Courthouse’s new and upgraded systems and finishes are
now as sophisticated as the building’s neo-classical
façade. Tenants who previously were looking at leasing
new space elsewhere are pleased with the changes and became
interested and enthused in the historic preservation as the
project neared completion. In addition to increasing levels
of comfort and security, employees are now able to enjoy the
snack bar/break room that was enlarged and the new physical
fitness center that was added in the building’s lower
level.
A
piece of the past has been preserved for the future. Details
and craftsmanship, traditional style, and neo-classical principles
make the Gene Snyder U.S. Courthouse one of the most dynamic
landmarks of Louisville architecture. Perhaps, it’s not
“new and sleek” that will inspire the landscape
of tomorrow’s cities, but the old and wise, perfected
and polished buildings of yesterday, and today – like
the old Courthouse on the corner of Broadway and Sixth and
Broadway and Seventh.
After
all, who says all great buildings have to touch the sky?
Jana
J. Madsen (jana-madsen@buildings.com) is senior associate
editor at Buildings magazine.